Season 3, Episode 7: Part VII
Directed by Rachel Goldberg
After a major turn in the case, Ambrose’s tactics are scrutinized.
After a major turn in the case, Ambrose’s tactics are scrutinized.
Following a run-in at school, Nicole has a difficult but necessary conversation with her son. A mysterious figure from Mark’s past resurfaces.
As Nicole tries to track down the person behind an ominous photo, Pat takes Dion to BIONA, where they see a few things not on the official tour.
Convinced the bomber is still at large, Veronica visits Chino to learn more about Clyde and Big Dick. Mayor Dobbins’ request for help from the FBI brings an old flame to Neptune. Veronica confronts her mugger.
Tandy and Tyrone face the high price of trust.
New secrets are brought to light, putting the M.C. at odds.
An unexpected storm kicks up dust south of the border, as old family secrets bleed into familial affairs.
Kai (Evan Peters) begins to solidify his grasp in power; Bebe Babbitt (Frances Conroy), the former lover of the first female cult leader Valerie Solanas (Lena Dunham), warns Beverley (Adina Porter), Ivy (Alison Pill), and Winter (Billie Lourd) about Kai.
Camelot Jones is a troubled teenager who escapes abuse by hiding inside a world of fantasy — one hidden inside her identical twin sister’s paintings. But when reality descends on her safe haven, the true horror begins.
WELCOME TO CAMELOT was written by Rachel Goldberg and won Best Screenplay from the Oscar-qualifying Rhode Island International Film Festival and was selected for the Women in Film Financing Initiative with mentors Lynette Howell (BLUE VALENTINE) and Chris Tricarico (KILL BILL). It also won Best Screenplay from the Garden State Film Festival where it received a staged reading in Atlantic City with a phenomenal cast including Al Sapienza (HOUSE OF CARDS). Earlier drafts of the screenplay were recognized by Sundance, Slamdance, PAGE International, the Big Australian and Shriekfest.
Maggie, a quirky shut-in, spends her days obsessed with television personality and “Transformational Healer,” Connor Robinson. When Maggie gets a feisty new neighbor, Lamay — a trans woman in a tumultuous relationship — the two begin a strange friendship that catapults them on a cross-country adventure to meet Connor in person.
TRANSFORMATION AWAITS was written by Rachel Goldberg and Jonathan Pope Evans.
The feature screenplay is based on the award-winning short film, NEIGHBORS, which was created through AFI’s Directing Workshop for Women.
The screenplay was selected for the highly competitive Film Independent Screenwriting Lab where it was developed under the guidance of Jeff Stockwell (DANGEROUS LIVES OF ALTAR BOYS), Kirsten Smith (LEGALLY BLONDE) and Damien Chazelle (WHIPLASH). The script was also supported by the Sundance/Women in Film Financing Initiative under the guidance of Cassian Elwes (DALLAS BUYERS CLUB), Amy Baer (LAST VEGAS) and Sundance Executive Director, Keri Putnam.
TRANSFORMATION AWAITS won a Grand Prize in Screenwriting at the Rhode Island International Film Festival, was a quarterfinalist for the Academy’s Nicholl Fellowship (placing it in the top 5% of over 7500 scripts), and was top 5 for the Cinestory Screenwriting Fellowship.
Fourteen-year-old Rosita Lopez is running for President of the United States of America. As she tries to garner votes, she renews more than just a sense of democracy in the people she meets.
When her teenage daughter Crystal disappears, Lena Gladwell, a divorced African-American mother of two, is stunned by the inaction of local police. She and her older daughter Cara rally friends and family, flier the neighborhood and reach out to the media, all to no avail. They come to learn the painful message that all missing children are not created equal.
Muted sold to HBO and aired on HBO and Cinemax.